
This is a week when the whole world sings, or so it seems. StarChild, a musical of magic and transformation, has transported us to other worlds. Performances echo to Chris Williams’ enchanting melodies sung with passion and panache by soloists and chorus. And when they stop there is deafening applause from captivated audiences.
The master lyricist, Nick Stimson, has crafted a tale of travel into our very own imaginations. His characters grow and change with the adventure that takes them over. And so the truths about what makes us who we are and the messages of Christmas are revealed. If I could write like Nick, I’d feel my life’s work was done.
The piece won the Vivian Ellis Prize for the Most Outstanding Musical for Young People. It is a sadly neglected musical and deserves wider audiences. Although it’s complex and ambitious, it really has wide appeal and much wit. Imagine a mix of Harry Potter, Doctor Who, the Lion the Witch and the Wardrobe and Wizard of Oz. Well, this is better- at least the way our students perform!
There is so much fun and so many memorable moments and lines. I like:
‘If I asked you for a snog
Would you turn into a frog?’
That gives you an idea of the charm of the piece.
There is much in this show that is unexpected. Its glacial world had me feeling chilled; the drab world of the Mother Hope’s machine was full of menace. But the remarkable finale magically completed the episode of story telling at its best.
I left Barbara Hersey on the first night frowning over seating plans. Where do you fit everyone when the show is so popular? How can we turn people away? We looked despairingly on the Gallery and in the wings. Where else? An extra row in the front might impede visibility. But alas- the Hall was built for a school of 500. These productions are on a scale undreamt of by the planners. The Tarleton Theatre will be my first project (promise) if I win the Lottery. Don’t hold your breath though- I’ve never bought a ticket.
Parents will, I’m sure, be relieved when it’s all over. They will also be so proud of what has been achieved. They can have their children back. Parents have been brilliant at collecting and at weekends and during half term bringing children into school. It’s quite a commitment. I don’t know how many hours of rehearsals there have been for it’s always the same time, just before midnight in the play. Clever ruse but do they think we haven’t noticed?
The staff will also be able to have their lives back. Many have contributed and I’m always really grateful to see the teams swinging into action: South Dartmoor at its best. The show has also been seen by large numbers of staff. What a great message that sends to the cast about relationships, care and interest.
The central staff quartet is formidable. Allan Sutton, the old Gandalf of lighting wizardry has more theatrical knowledge than you’ll find on Google. This piece allowed him to have great fun with lights and smoke. Oops…best not to mention the smoke machine, I’m told.
There has to be a good woman, of course, and Lin Blackman, the Producer, is superwoman. She is the magic inside this production, weaving her spells, bringing the dream to life.
The two towering giants – literally and metaphorically- of this and the last several productions are James Hills, Director, and Ralph Wickenden, Musical Director. Their standards are the gold in our Arts mark gold award. They are without doubt in the first rank of teachers of any generation. When the stardust settles it rests on them.
The master lyricist, Nick Stimson, has crafted a tale of travel into our very own imaginations. His characters grow and change with the adventure that takes them over. And so the truths about what makes us who we are and the messages of Christmas are revealed. If I could write like Nick, I’d feel my life’s work was done.
The piece won the Vivian Ellis Prize for the Most Outstanding Musical for Young People. It is a sadly neglected musical and deserves wider audiences. Although it’s complex and ambitious, it really has wide appeal and much wit. Imagine a mix of Harry Potter, Doctor Who, the Lion the Witch and the Wardrobe and Wizard of Oz. Well, this is better- at least the way our students perform!

There is so much fun and so many memorable moments and lines. I like:
‘If I asked you for a snog
Would you turn into a frog?’
That gives you an idea of the charm of the piece.
There is much in this show that is unexpected. Its glacial world had me feeling chilled; the drab world of the Mother Hope’s machine was full of menace. But the remarkable finale magically completed the episode of story telling at its best.
I left Barbara Hersey on the first night frowning over seating plans. Where do you fit everyone when the show is so popular? How can we turn people away? We looked despairingly on the Gallery and in the wings. Where else? An extra row in the front might impede visibility. But alas- the Hall was built for a school of 500. These productions are on a scale undreamt of by the planners. The Tarleton Theatre will be my first project (promise) if I win the Lottery. Don’t hold your breath though- I’ve never bought a ticket.
Parents will, I’m sure, be relieved when it’s all over. They will also be so proud of what has been achieved. They can have their children back. Parents have been brilliant at collecting and at weekends and during half term bringing children into school. It’s quite a commitment. I don’t know how many hours of rehearsals there have been for it’s always the same time, just before midnight in the play. Clever ruse but do they think we haven’t noticed?
The staff will also be able to have their lives back. Many have contributed and I’m always really grateful to see the teams swinging into action: South Dartmoor at its best. The show has also been seen by large numbers of staff. What a great message that sends to the cast about relationships, care and interest.
The central staff quartet is formidable. Allan Sutton, the old Gandalf of lighting wizardry has more theatrical knowledge than you’ll find on Google. This piece allowed him to have great fun with lights and smoke. Oops…best not to mention the smoke machine, I’m told.
There has to be a good woman, of course, and Lin Blackman, the Producer, is superwoman. She is the magic inside this production, weaving her spells, bringing the dream to life.
The two towering giants – literally and metaphorically- of this and the last several productions are James Hills, Director, and Ralph Wickenden, Musical Director. Their standards are the gold in our Arts mark gold award. They are without doubt in the first rank of teachers of any generation. When the stardust settles it rests on them.




No, it’s not the new iphone, but the world’s newest lap top which, this week, we tested to destruction- but it didn’t break. Richard Penhale (ICT Systems Manager) has been hard wired to it. It’s more than a glass ball into which we can see the future- it is the future.
